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Paradise Postponed, by John Mortimer
Download Paradise Postponed, by John Mortimer
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From Publishers Weekly
Why does Simeon Simcox, "left-wing cleric" of an English village, leave the Simcox brewery millions to the morally loathsome Leslie "The Toad" Titmuss, city developer and Conservative cabinet minister? Simeon's sonsFred, the jazz-drumming doctor, and writer Henry, once "Britain's brightest and angriest"conduct separate sleuthing inquiries into Simeon's life and will. Was the low-born Titmuss, who has bought and sold his upper-crust associates and climbed to power on their crippled backs, really Simeon's offspring? Barrister, playwright, scriptwriter, novelist Mortimer (Rumpole of the Bailey brings his legal expertise and somber humor to this competently cobbled, though dogged, plot that takes in the upheavals of British society from the '40s to the '70s. Where the gentry once rode to hounds, the constabulary now rides against women camping on the heath to protest the Cruise missile. Despite some funny scenes of sitcom buffoonery, readers are apt to feel indifferent to the squads of characters that Mortimer parades forth, who are largely representatives of social forces, with little human blood in them. 25,000 first printing; BOMC alternate. Copyright 1986 Reed Business Information, Inc.
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From Library Journal
The author of the Rumpole TV series focuses here on the life of Rector Simeon Simcox of Rapstone Fanner, an English village. The novel begins with Simcox on his deathbed, and the remainder is a series of flashbacks featuring the Simcox family, their friends, and Leslie Titmuss, a singleminded manipulator who climbs from poor boy to cabinet minister. The "mystery" of the novel is why Simcox, in his will, leaves all he owns to Titmuss. After much tediously contrived suspense, we learn that Titmuss is Simcox's illegitimate son. The writing is witty and the wordplay entertaining, but Mortimer has overextended a flimsy plot. Glenn O. Carey, English Dept., Eastern Kentucky Univ., RichmondCopyright 1986 Reed Business Information, Inc.
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Product details
Hardcover: 373 pages
Publisher: Viking Adult; First Edition edition (April 7, 1986)
Language: English
ISBN-10: 0670800945
ISBN-13: 978-0670800940
Product Dimensions:
20 x 20 x 20 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#2,392,799 in Books (See Top 100 in Books)
This novel is quite a lark in the reading of it. The dialogue, for which Mortimer has an uncanny ear, sparkles with wit, and the characters all come across as both believably quotidian and quirky. Mortimer also manages to deftly sketch the changes in English society between the war years and 1985 into the background of all these intertwined goings-on. What fun!Oh yes, there's also the mystery of the will of Simeon Simcox, late pacifist, socialist vicar which bequeaths all to weaselly Conservative Cabinet MP Leslie Titmuss. The narrative is a bit rum on this point in that the said Simeon Simcox is actually alive throughout most of the novel as the story backtracks through time or rather hopscotches around it - more often than not from paragraph to paragraph, with no clear demarcation given - which takes a bit of getting used to, whilst also keeping the reader on his/her toes.A very lively, satisfactory read indeed, except that one is still left pondering why exactly the Bertrand Russell reading, seemingly atheistical Simcox became a vicar in the first place. Oh well, it's just as well to have something on which to chew after one turns the last pages.Mortimer is particularly deft in employing literary quotations to summarise entire sections of the book. The Kierkegaard quote summarising Part Three might well be employed to give the prospective reader an idea of the entire book's underlying theme and motif:"Life must be lived forwards, but it can only be understood backwards."
Excellent parody of Britain's socialist state at its height before Thatcher's reforms. Priceless!
I loved reading about the various characters in this story and their reaction to events and situations which were imposed on them. Brilliant and incisive writing which we have come to expect from John Mortimer.
Great book, had read the Rumpole series and just recently discovered Titmus series. John Mortimer is a great story teller and his characters are "larger than life" I hope others will enjoy reading his novels.
John Mortimer is brilliant, and there can be no two ways about that. He is a cynic and he is a wit, and talented enough for that to put him almost in the company of Swift. He was also a lawyer, there is usually a legal thread even in his non-Rumpole novels, and there is one here, the mysterious case of a clergyman's will which seems to have left his entire fortune to a very unexpected and unwelcome beneficiary.I found the plot-line in this novel very good indeed. The main mystery is cleared up in a very unexpected way, all hints and suggestions really lead somewhere, and while I suppose I would have to call it contrived, it is clever enough to be convincing in its own way. It is clever in the sense of being complex, but also in the way that Mortimer keeps switching the time-focus between different eras. He takes us from the start of Attlee's Labour government in 1945 all the way to the reign of Margaret in the 80's. The story of the will would not by itself have required a 40-year elapse. What requires that is the introduction of Leslie Titmuss, depicted starting with his modest boyhood and ending, in this book, with his fictional presence in Thatcher's cabinet. It needs no great legal genius to perceive that he is going to be good for a few more books, and so, of course, it has turned out.So there is a political angle too, and if you know your author you will have expected that. He was one kind of leftist, and a kind that I greatly like. He had a privileged background, and he was `anti' just by nature. He was a rationalist and he was a libertarian. He found the toffs with origins similar to his own to be absurd and repulsive, but he was no Orwell, no wholesale convert to some other side. The colonel's lady and Judy O'Grady are sisters under the skin, after all. It's a human skin, and it's humanity in general that is prone to being absurd.The characterisation is largely drawn from a political slant, therefore. Mortimer is not pushing any party-political programme all the same. Just describe some Young Conservatives, I suppose, and further comment would be superfluous. However the reverend himself, whose strange-seeming will forms the core of the narrative, is depicted as a self-caricaturing lefty, while Mortimer is conspicuously restrained in anything that might be construed as hostility to Titmuss, whose views must have been in many respects antithetical to his own. Malcolm Muggeridge, in his latter days as a born-again Christian and reactionary, had an excellent description for a whole tranche of C of E clergymen of this period, with their `feeble-minded confusion of the Christian faith with better housing, shorter hours of work, the United Nations and opposition to apartheid.' These are the polar examples. The others - I found them brilliantly drawn and developed altogether.However in Mortimer there is always a good deal of social commentary, with minor characters put there for the overall picture and not for themselves. In many ways this is the best thing in the book, and it comes mainly at the beginning. You can't tell me that the schoolmates of Fred and Henry at their fictitious public school in East Anglia are not drawn from life. Mortimer attended Harrow School (as did Churchill), and they used to tell them there that the wind from the Urals hit Harrow-on-the-Hill without encountering any intermediate obstruction. Mortimer borrows this piece of lore for his school here in the book, so I infer that the incidental personae who come and go in the first chapter or two are real, with only the names changed to protect the questionably innocent. In particular there was apparently one boy who had a premature 5-o'clock shadow and was a great masturbator. He features in just a sentence or two, is never heard of again, and one is left wondering whether his onanistic eminence was a matter of a record level of activity, or whether he needed both hands simultaneously for the job, or exactly what it was. Somebody still alive might still remember.The style of writing is of course delightful, but I caught Mortimer recycling a sentence that I had heard him use on television at least once, to the effect that there is no pleasure worth denying oneself for the sake of a few years in a sunset home in Weston-super-Mare. Poor old Weston-super-Mare. It is 60 years since I was there last, but having been warned off in this way I am electing to manage my later years by attending a gymnasium and eating and drinking less. Advancing age makes the latter pleasures less attractive anyway, to me at least. The book also features an elderly doctor who is largely there for the purpose of saying witty things, rather like Lord whatsisname in A Picture of Dorian Gray. This is entirely welcome. The doctor belongs properly in the narrative, and I would only utter a mild remonstrance for the pageful of his bons mots that is only there because Mortimer could not fit them into the story.Behind the upper-middle-class English flippancy there is also a darker side to all this, and mentioning the doctor above reminds me of that. To me, it is all a potent brew, and I recommend the book thoroughly. Sir John Mortimer left our society only recently, but not before he had used at least one of his books to sound a coded but powerful warning of the threats to liberty that were being enacted by the over-plausible and endlessly self-justifying Tony Blair. The libertarian mentality runs through Mortimer's output, the threats to liberty depend on the eternal vigilance that is trumpeted so often by some of the people who threaten liberty most and are trying to hijack the vocabulary to their own political cause. Mortimer is good for our mental health.
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