Ebook Babel: Around the World in Twenty Languages, by Gaston Dorren

Ebook Babel: Around the World in Twenty Languages, by Gaston Dorren

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Babel: Around the World in Twenty Languages, by Gaston Dorren

Ebook Babel: Around the World in Twenty Languages, by Gaston Dorren

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Praise for Babel: “Fascinating . . . Dorren has an eye for what makes languages stand out from the field . . . In the hands of a less gifted author, some of the material in Babel could come across as dry or intimidating. But Dorren (as you might expect) has a way with language, and an arch sense of humor . . . Babel is an endlessly interesting book, and you don’t have to have any linguistic training to enjoy it . . . As joyful as it is educational, and above all, it’s just so much fun to read.”―NPR “A linguist and journalist takes readers on a global tour of the world’s top 20 languages, from Mandarin, English, and Arabic to Swahili, Tamil, and Malay. How did these tongues come to prominence and what others are dying out because of them? Dorren explores the culture and quirks of each language with infectious curiosity.”―Newsday “Eye-opening and thoroughly entertaining . . . [Dorren] is wonderful company: chatty, informative, enthusiastic . . . Babel is a story not of nouns and consonants, but of empires and continents. Language is power. Sometimes it is a matter of life, lust, and death.”―Times (UK) “An accessible and entertaining dive into the most commonly spoken languages in the world . . . An excellent choice if you want to learn another language but can’t decide which one . . . Accessible to longtime language scholars and casual readers alike; a delightful collection of twenty small windows to much larger worlds.”―BookBrowse“Babel―fittingly for a book on language―is about more than numbers. Dorren takes a clever approach . . . He doesn’t just give an overview of the languages discussed; he explores a theme or element in each one, sometimes drawing broader conclusions on language as a whole . . . Smart, punchy prose.”―Irish Independent “Hugely readable . . . Dorren is both an intimidatingly gifted linguist and a wonderfully eloquent writer. You couldn’t wish for a better guide to the wonders of the world’s bewildering array of tongues.”―Mail on Sunday “Dorren expertly unpacks the baffling exceptions and structural oddities of the world’s 20 most-spoken languages in his delightful latest . . . Dorren always succeeds in sharing his delight at the intricacies and compromises of human communication . . . Whether he is debunking common misunderstandings about Chinese characters or detailing the rigid caste distinctions ossified in Javanese, Dorren educates and fascinates. Word nerds of every strain will enjoy this wildly entertaining linguistic study.”―Publishers Weekly (starred review) “Dorren offers an intriguing tasting-menu of the major standardized languages . . . An engaging and informative whirlwind tour of how major world languages are created, used and changed.”―Shelf Awareness “In surveying this score of tongues, Dorren teaches readers a great deal about how languages survive, evolve, and spread . . . As he shifts focus from language chapter to language chapter, Dorren delves into social and political dynamics affecting speech and writing . . . A fascinating foray into global linguistics.”―Booklist “Dorren proves to be a genial, fascinating guide to the modes, manners, and curiosities of the most-spoken languages in the world . . . A deft, spirited exploration of the connection of languages to a nation’s identity and culture.”―Kirkus Reviews “Hugely readable . . . Dorren is both an intimidatingly gifted linguist and a wonderfully eloquent writer. You couldn’t wish for a better guide to the wonders of the world’s bewildering array of tongues.”―Mail on Sunday “Enthralling . . . Full of exciting stories and illuminating history lessons . . . Riveting.”―Big Issue “The multilingual Dorren, who scored with Lingo: Around Europe in Sixty Languages, goes global with this study of language, culture, geography, and history. Some surprising facts: presumed lingua franca English is actually spoken by only one in five people worldwide, more people speak Malay than French, and Turkish has evolved so quickly in the last century that titles from the early 1900s are Greek to today’s speakers.”―Library Journal (PrePub Alert) Praise for Lingo: “[Dorren’s] deep and broad expertise allows him to take a familiar, mostly bemused approach to the linguistic patchwork of Europe . . . as enlightening as it is entertaining.”―Boston Globe “A wonderful read . . . [Dorren’s] lively and insightful book takes the reader on a linguistic tour of Europe. In 60 witty, bite-sized chapters, Dorren makes sense of the babel of voices, exploring the origins of the continent’s languages and dialects and highlighting the surprise commonalities, stark differences and quirky singularities . . . Practically every page comes studded with at least one fascinating fact . . . illuminating and entertaining . . . [A] unique, page-turning book”―Minneapolis Star Tribune “Mr. Dorren’s language tourism takes in not just the familiar monuments of English, French, Spanish, and German but also the unsung marvels of Latvian, Cornish, and Luxembourgish . . . A brisk and breezy tour . . . Bulge[s] with linguistic trivia . . . [Dorren] has an eye for genuinely surprising detail . . . [His] book is a peppy advertisement for the rewards of having several languages in one’s head.”―Wall Street Journal “[A] playful survey of sixty languages spoken in Europe . . . Dorren gives voice to an important linguistic truth: ‘Today’s errors tend to become tomorrow’s correct usage.’”―New Yorker “Lingo features amusing tales from five dozen languages, languages that define the nations of Europe . . . a great example of how language helps us get a little insight into the many cultures of Europe.”―Rick Steves, Travel with Rick Steves “A worldly delight . . . This language writer dazzles. His stylistic flair is more than just entertaining―it crystallizes abstract ideas he conveys through vivid imagery . . . Dorren approaches his subject with passion and humour. His chapters are diverse, each normally highlighting the peculiarities of a single language . . . Dorren’s pace is swift . . . For language tourists, Lingo is a tour de force.”―Winnipeg Free Press “[Dorren’s] linguistic tour is fascinating, funny, surprising, and enlightening.”―Jane Ciabattari, BBC Culture (10 Books to Read in December) “This linguistic-led trip of the tongues across Europe doles out bite-size bon mots about the history, eccentricities and diversity of languages both obvious (German) and obscure (Gagauz). Plus, it’s laugh-out-loud funny―and that’s in all languages.”―American Way (December Picks for the Traveler) “Dorren’s book is so much fun a reader might feel that half of Babel’s curse has already been lifted.”―National Post “Lingo is a charming, well-researched tour of the languages, language families, and linguistic history of Europe . . . While keeping readers entertained, [Dorren] manages to cover not just the usual suspects but also such languages as Sami, Yiddish, Romani, Armenian, Ossetian, Basque, Welsh, Manx, and Esperanto . . . Dorren’s entertaining book is just right for academic consumption and a nice treat for general readers looking for an overview of linguistic Europe.”―CHOICE “[A] fascinating read . . . Covering the idiosyncracies of 50-plus languages, from the spelling of Scots Gaelic to the counting conventions of Breton, Dorren weaves tales of conquest, social mores and isolating landscapes with remarkable ease . . . From Yiddish to Romani to English, the book is entertaining. Now, if only I can remember all these anecdotes for my next party.”―MultiLingual “Wonderful . . . This intriguing, thoughtful book will delight those who love words; it is also a round, solid education in the vastness of the world’s citizens’ ability and desire to express themselves . . . Amusing, too!”―Booklist “In this bubbly linguistic endeavor, journalist and polyglot Dorren covers the evolution and peccadillos of 60 European languages . . . Dorren thoughtfully walks readers through the weird evolution of languages . . . with quirky tidbits aplenty . . . Rounded out with helpful insights such as the impact of Martin Luther . . . and the refutation of the notion that Eskimos have 100 words for snow . . . Dorren has crafted an immersive and illuminating study of something many of us take for granted.”―Publishers Weekly “Dutch linguist and journalist Dorren . . . reveals many intriguing nuggets of information about languages from the familiar (French, German, Spanish) to the arcane (Manx, Ossetian, Sorbian) . . . For linguists and readers truly thrilled by the meticulous study of languages.”―Kirkus Reviews “For language lovers and those who enjoy obscure facts, European culture, and politics―or all of the above―Lingo will be an entertaining book to dip into, a tasting menu of the pleasures of languages.”―Shelf Awareness “A joyful guided tour around Europe’s linguistic landscape . . . genuinely interesting and enormous fun. Particularly impressive is Dorren’s ability to flip with ease from jokes and surprising facts to the discussion of complex linguistic ideas. . . . For the sadly monoglot, Lingo is a wake-up call: a book that brims with joy at linguistic variety and invention, and reminds us what he―and we―are missing.”―Sunday Telegraph (UK) “The depth and breadth of [Dorren’s] understanding and knowledge are awesome . . . this charming, funny and fascinating gem of a book has persuaded me of the richness we are in danger of losing.”―Times (UK) “I can’t praise it enough. If you ever wanted to know how exactly Finnish and Hungarian are related and how Turkish fits in, it is clearly explained here in two to three pages. And so is everything else you ever wanted to learn about European languages but were afraid to ask. Brilliant, witty, excellent!”―Times Higher Education Supplement, Best Books of 2014 “Learned and pleasantly ironic . . . In this entertaining exercise in ‘language tourism,’ the author isn’t frightened of making judgments. . . Impressively, he has taken classes in many of the languages he writes about, as well as in sign language, about which he writes illuminatingly . . . His tour of the continent is a richly diverting exercise, organized into sections on languages and their families, history, politics, writing, vocabulary, grammar and state of endangeredness. He has something interesting to point out about nearly every topic.”―Guardian (UK) “A series of quirky linguistic stories full of etymological pleasures . . . if you believe Umberto Eco, ‘The language of Europe is translation.’ And certainly much of what’s revealing in Lingo is to be found not in the narratives or mechanics of individual languages but in the interface between them. . . . there are many etymological pleasures to be had from this book. . . full of charm and pleasing detail.”―Spectator (UK) “Lingo is not meant to be an encyclopedia but a language ‘amuse-bouche’. Smorgasbord might be a better description: through sixty compelling stories about European linguistics, it tells us an impressive amount about Europe. . . . an entertaining, accessible guide.”―Financial Times (UK) “Full of odd linguistic facts . . . fascinating.”―Times Literary Supplement (UK) “I love this book. It’s witty and informative, with a wealth of engaging comments on all things language-related. . . . Such amusements, along with the book’s mine of information, make this a great seasonal stocking filler―whether you’re a lingophile or not.”―Morning Star (UK) “A new approach to understanding the world . . . ideal for any cunning linguist.”―Wanderlust (UK) “A multitude of dinner-party facts: there’s no such thing as Norwegian (the ‘national tongue’ comprises a collection of regional dialects); that Spaniards utter an average 7.82 syllables a second; and that the last speaker of Dalmatian, in a rare example of a language dying with a bang instead of a whimper, was killed by a land mine.”―Geographical Magazine

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About the Author

Gaston Dorren is a linguist, journalist, and polyglot. He speaks Dutch, Limburgish, English, German, French, and Spanish, and reads nine more languages. He is the author of Lingo: Around Europe in Sixty Languages, as well as two books in Dutch and the app, The Language Lover’s Guide to Europe. Dorren lives in the Netherlands.

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Product details

Hardcover: 320 pages

Publisher: Atlantic Monthly Press (December 4, 2018)

Language: English

ISBN-10: 0802128793

ISBN-13: 978-0802128799

Product Dimensions:

5.8 x 1.2 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#104,770 in Books (See Top 100 in Books)

Gaston Dorren’s description of various features of the world’s twenty most spoken languages is anything but babbling. Although the book does not have a consistent theme, Dorren blends biographical, historical, and cultural material along with morphological descriptions of languages into something like a delicious cheesecake. There are no earth-shattering theses or discoveries, but the sparkling text and original material make the subject matter interesting, even for non-linguaphiles.For example, one can learn facts as various as the history of the Indian subcontinent and how it shaped Hindi/Urdu/Bengali as well as that Chinese characters are often joined together as syllables to make words. Dorren further explains why Portuguese and not Dutch is one of the world’s major languages and why learning German is so difficult for English speakers—though they were the same language some twelve hundred years ago.Throughout the text is marked by a welcome cosmopolitan approach to cultures and history. Dorren does not fall for the mistake of assuming that European culture has increasingly dominated the world and so the histories of non-European peoples before contact with Westerners are of little interest. Instead, the interaction between Aryans and Dravidians, the spread of Malay and the separation between Japan and China are all discussed. For someone who received a strongly Westernized approach to modern history in school, the lack of an overriding narrative was not fog-inducing but more like fresh air.I wouldn't say that everybody should read this book or that the book contains something that is going to be culturally transformative but if one is looking for something relatively light that still goes beyond pop-culture this is an excellent choice. With the holiday season upon us, Babel is an ideal gift for polyglots or merely just aspiring ones. A pleasant read all around.

My family loves languages and I was excited to find a book on this topic. The statistics about languages in the world are especially interesting and help to provide you with a better perspective on the languages you know, or want to learn. Many of the stories about the individual languages I had never heard before and were fascinating. However, I do think that the author needs a rethink on the way he organized the information. More than a survey on each language, with basic information shared on each one, this book gives you select, interesting facts about each language. Each chapter presents a language and sometimes he tells you about the grammar quirks, sometimes what it's like to learn the language, sometimes the history of the language, and sometimes how the language compares to others. But, there is no consistency from chapter to chapter. I recommend a rewrite using all the information he has, but fleshing out each language fully so you know all of these characteristics of it, and not just selected ones. I wanted to have my 15 year old read the book because she loves languages, but decided not to because of the organization of it.

The first chapter (each chapter covers a language) was quite interesting. The 2nd chapter started to blur into what I'd read in the 1st. I didn't finish the 3rd. Maybe I'm not cut out to be a linguist, lol.

A curious mix of easy to understand / interesting facts and rather laborious academic analyses. Not the light and fascinating read that reviewers indicated. Still, as a person interested in languages I did learn quite a bit. I was disappointed that it addressed mostly spoken language, while I was curious about how they are written.

Good.

The descriptions of the languages were boring and/or difficult to understand.

Books about English language, such as those by John McWhorter and David Crystal are some of my favorites, and I also like the deep dive into other languages, such as the books about French and Spanish by Julie Barlow and Jean-Benoit Nadeau. Then there's the books that dip a toe into many languages, such as this one by Gaston Dorren. Babel looks at the twenty languages that are spoken by the greatest number of people in the world. Dorren starts with some statistics to get you grounded, how many native speakers, where spoken, etc., and then takes off on whatever interests him most about that language. He discusses his difficulties in learning to speak Vietnamese, talks about how Japanese is spoken differently by men and women, looks at the history of the written Turkish language and how politics is inextricably linked to its development. It's just fascinating and it touches on many topics. Even if you aren't interested in 20th century Turkish politics (but you might be surprised to find that it is quite interesting), for instance, you might very well find yourself captivated by the astonishing number of words in English that derive from Arabic.(Thanks to Atlantic Monthly Press and NetGalley for a digital review copy.)

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File Size: 1957 KB

Print Length: 396 pages

Publisher: Avery (August 17, 2006)

Publication Date: August 17, 2006

Language: English

ASIN: B000Q360EG

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#495,828 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is such a surprising book. I mean we all know that Fry is brilliant but who thought he could write perhaps the best college-level introduction to poetic form and effect? There are, yes, quite a few books about poetic form and effect but . . . this is not only the funniest, smartest, well-organized, and insightful one I've seen it's just flat out the best book of its kind.Fry is perhaps not well-served by his publisher . . . the book needs some development work here and there (basically just filling in bits and piece of information that Fry skips over, expanding the examples, and fleshing out the references) and the design, both of the cover and text should be reworked. The current interior and cover, at least in the US edition, are basically just splitting the difference between a serious textbook and a trade book but the book, and Fry, and students would be much better served by a interior design that formalizes the hierarchies of information in the text and is professionally typeset by a designer who is used to dealing with complex instructional texts. (Oh, I'm sure it's a bit of a hard sell to say "textbook" in a meeting about a book by Fry but there's no reason a good designer can't deal with the information design and make the design modern and lively.) The text is typeset perhaps slightly better than your average mid-list trade book but it is a complex text about, hello!, the English language . . . Fry's overall presentation is undercut by the everyday sloppiness of the typesetting and the attempt to squeeze an instructional text into a simpler standard non-fiction trade text design. Take a look at, say, a Princeton University Press title that covers similar ground and you'll see immediately that there are much better, more useful, ways of designing a book like Fry's. Likewise, thought a much easier problem to solve, the cover doesn't help position the book in the market. It's not a standard trade non-fiction book, it's a freaking genius and classic textbook that every college student should have at the ready. The cover doesn't have to be dry and boring, it can be wild and lively but . . . it needs to be a cover that looks like it belongs next to the CMS, a Fowler's, and a Webster's.Publisher! Hello! This book could, and should, have a long, long tail. There's no reason I can think of that the book can't be a _standard_ textbook for nearly every college student subjected to a class in poetry. It's not half as dry as the Turco book on poetic form and it's not as detailed as the Miller Williams but I suspect it could have a larger, more enthusiastic audience than either of those books . . . and both of those have gone through many editions. The Fry might be hard sell in a publishing meeting but I suspect it's much, much easier sale at, say, a college English department meeting. What adjunct English prof wouldn't leap at a chance to use a textbook that's a good excuse for watching a bunch of Youtube clips of Fry and Laurie?So, all of my complaints aside, this is a completely unexpected Five Star Book, easily the best available undergraduate introduction to poetic form and effect. Buy it. Read it. Laugh. Cry. Write poetry!

I LOVED this book.I am reasonably new to poetry, having only been reading and writing it extensively for a couple of years. I've looked on-line for "how to write better poetry", which is well worth doing, however, Stephen Fry takes all the results from all the google searches and condenses it down into a superbly ordered and explained treatise on why he likes poetry and how poetry is written, analysed and discussed. All of it told in an accessible, witty and fun way. Typical Fry.I have been hanging out with poets for years. I discuss their work, I discuss my own work, but we rarely, if ever, discuss meter. Most poets I know and talk to barely know what meter is... it's that thing that the high school teacher glazed over, because she didn't understand it herself and that was just one of the things on the curriculum that has to be taught on the way to sanitizing poetry out of the students (I generalize - that was my poetry experience. If you had better, I envy you!). Fry makes it front and centre. Poetry and meter are linked and understanding meter will make you a better poet. I believe this strongly. His overviews of the different types of rhyme (he has at least 4), poetry form and all his examples are lots of fun to read. I was particularly taken with the villanelle form, which Fry confessed, was the form that led to him writing this book in the first place.I borrowed this book from the library and took it on holiday with me. About half way through, I fought to get an internet connection and ordered a copy, which is now sitting in front of me. It is now my poetry reference and one I go to often.

It’s been a long time since my last poetry class, and I’ll have to confess that even back then my attention sometimes wandered. Stephen Fry is a writer, comedian, and actor. He was the comedy partner of Hugh Laurie (“House”) for years, and if you saw the recent The Hobbit: The Battle of the Five Armies, he played the foppish Master of Laketown. His writing talent shines here, and the Ode Less Travelled is a wonderful review (or introduction, if you never studied poetry) to the mechanics of poetry. Fry covers most of the basic components of poetry, and offers wonderful examples from great and lesser-known literature, as well as his own hilarious constructions. The book is designed as a tongue-in-cheek workbook, where you are encouraged (ordered?) to try the various techniques yourself. If you have an interest in poetry, or wonder why some people do, this book is a delightful learning tool.

This book has proven its worth tenfold! As a student of British Literature, I have often found myself a bit anxious when it comes to writing about poetry. Mr. Fry has come to my rescue countless times with this book. His clear descriptions and gentle encouragement have turned my fear into appreciation. It is intelligent without being verbose. Even if you have no intention of writing poetry, students and the casually interested will reap benefits from this book. I can't think of a better teacher than Stephen Fry and am indebted to him for helping me in my hour of need.

This is a wonderfully witty book. If, before I retire, I teach creative writing again, I'm using it as my text. It fairly brims with wit and wisdom. My only quibble's with the fact that, when Fry criticizes Hardy's use of the word "hue" in "The Convergence of the Twain," he does so in what appears to be blissful ignorance of the fact that "hue" does not have to mean "color." I don't think it's fair ofFry to pick on Hardy for having known more about the word "hue" than Fry does. All this hue and cry about "hue," however, is small potatoes up against the delight that Fry offers us page by page in this sterling book.

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Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet

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Audible Audiobook

Listening Length: 7 hours and 23 minutes

Program Type: Audiobook

Version: Original recording

Publisher: BBC Worldwide Limited

Audible.com Release Date: March 3, 2016

Language: English, English

ASIN: B01BNSXJOQ

Amazon Best Sellers Rank:

This is a great set of three of Shakespeare's best-known works. The sound effects are often over-done (too loud and go on too long) but the vocal acting is excellent. I hope more of these recordings are released.

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Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet PDF

Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet PDF

Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet PDF

Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet PDF

PDF Ebook , by Omar Abbosh Paul Nunes

PDF Ebook , by Omar Abbosh Paul Nunes

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Product details

File Size: 6126 KB

Print Length: 289 pages

Page Numbers Source ISBN: 1541742672

Publisher: PublicAffairs (April 23, 2019)

Publication Date: April 23, 2019

Language: English

ASIN: B07K7KN1P9

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Amazon Best Sellers Rank:

#1,025,248 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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