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The Practicing Poet: Writing Beyond the Basics, by Diane Lockward
Ebook Download The Practicing Poet: Writing Beyond the Basics, by Diane Lockward
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From the Inside Flap
Craft Tip and Model Poem Contributors:Christopher Bakken  Joseph Bathanti  Jeanne Marie Beaumont  Adrian Blevins  Jody Bolz  Traci Brimhall  Sharon Bryan   Lauren Camp  Roger Camp  Richard Cecil  Nicole Cooley  Meg Day  Maggie Dietz  Emari DiGiorgio  Patrick Donnelly   Camille T. Dungy  Peter Everwine  Chris Forhan  Vievee Francis  Jeannine Hall Gailey  James Galvin  Jennifer Givhan   Juliana Gray  William Greenfield  Barbara Hamby  Hunt Hawkins  Cynthia Marie Hoffman  Adele Kenny  Ada Limon   Diane Lockward  Nancy Chen Long  Sandy Longhorn  Thomas Lux  Anne Marie Macari  Ted Mathys  Campbell McGrath Jennifer Militello  John Murillo  Peter E. Murphy  April Ossmann  Alan Michael Parker  Molly Peacock  Marge Piercy   Lawrence Raab  Chelsea Rathburn  Susan Rich  Elizabeth Lindsey Rogers  Pattiann Rogers  Natasha Sajé  Christopher Salerno  Danielle Sellers  Diane Seuss  Betsy Sholl  Martha Silano  Maggie Smith  Mark Smith-Soto  Maxine Susman  Sidney WadeTop Tips List Contributors:Ellen Bass   Jan Beatty   George Bilgere   Oliver de la Paz   David Kirby   Dorianne Laux    Alberto Rios   Patricia Smith   Lee Upton   Robert WrigleySample Poem Contributors:Andrea Bates   Roy Beckemeyer   Libby Bernardin   Elizabeth Bodien   Bob Bradshaw  Nancy Susanna Breen   Luanne Castle   Gail Comorat   Jessica de Koninck   Lynn Domina   Patricia Fargnoli   Ann Fisher-Wirth   Gaye Gambell-Peterson   Megan Gannon   Deborah Gerrish   Patricia L. Goodman   Susan Gundlach   Penny Harter   Shayla Hawkins   Karen Paul Holmes   Jenny Hubbard Tina Kelley   Sheila Kelly   Kim Klugh   Jennifer Kosuda   Joan Mazza   Judith Montgomery   Kathy Nelson   Camille Norvaisas   Rebecca Hart Olander   Linda Parsons   Emily Ransdell   Anjela Villarreal Ratliff   Susanna Rich   Jenna Rindo  Kenneth Ronkowitz   Jennifer Saunders   Penelope Scambly Schott   Carla Schwartz  Carol Seitchik   Martha Silano   Dianne Silvestri   Linda Simone   Denise Utt   Scott Wiggerman   Lisa Young
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About the Author
Diane Lockward is the editor of The Crafty Poet II: A Portable Workshop (Terrapin Books, 2016) and the earlier volume, The Crafty Poet: A Portable Workshop (Terrapin Books, rev. ed., 2016). She is also the author of four poetry books, most recently The Uneaten Carrots of Atonement (Wind Publications, 2016). Her awards include the Quentin R. Howard Poetry Prize, a poetry fellowship from the New Jersey State Council on the Arts, and a Woman of Achievement Award. Her poems have been included in such journals as Harvard Review, Southern Poetry Review, and Prairie Schooner. Her work has also been featured on Poetry Daily, Verse Daily, The Writer's Almanac, and Ted Kooser's American Life in Poetry.
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Product details
Paperback: 350 pages
Publisher: Terrapin Books (September 25, 2018)
Language: English
ISBN-10: 1947896075
ISBN-13: 978-1947896079
Product Dimensions:
5.9 x 0.8 x 8.9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#99,882 in Books (See Top 100 in Books)
Do you dread free writes? Are you, like me, a writer who comes out of a workshop where you are given a statement prompt with a blank piece of paper? Diane Lockward’s craft books are definitely for you, as well as for any other poet who wants to improve and enhance their craft. Although slanted toward those who write poetry, this book would also be useful for poetry lovers who want to understand the intricacies of the poetry they read.This is the third she’s published, and I truly believe that each one is more comprehensive than the one before. Lockward uses the word prompt in her book, but I prefer to call them exercises. She takes a poem, dissects it into what aspects of craft make that poem work, explains why it works, and gives clear instructions for us to follow. She also includes sample poems written to the instructions.I avoid free writes, frequently finding that the only thing I write is my grocery list. I have a bookcase full of poetry craft books, and Lockward’s are the ones I find the most useful. I rave about them to members of my writing critique group. Several of the poems I’ve written from Lockward’s books have been published.I could fill this review with cliches and hyperbole, but I know it would make Diane cringe. So let me end with this: Buy this book.
I’ve read all three of Lockward’s poetry handbooks. I’ve recommended them, given them as gifts, and rated them five stars apiece. Each book deserves about 50, because they’re more valuable than at least 10 other writing handbooks on the market. This is why it takes me a few months to read them, even though I do very few of the exercises. I treat them as reference books, and go back to them whenever I’m stuck.I prefer to read one section or two, then stop to digest them. Some of the techniques I’ve picked up have become part of my regular writing process. No one can believably claim writer’s block if they have one of Lockward’s books at hand. Simply reading the wonderful poems gives me ideas. I was lazy about writing during the holiday bustle, but still found myself putting this book down because I HAD TO WRITE.There’s something for everyone (probably because she gathers tips from everyone). I recommend it to beginner poets, experienced poets, and readers who enjoy reading poetry or want to understand it better. This is Poetry Appreciation at its finest. Now that I do have more poetry credentials, it’s a thrill to read tips from my favorite poets and think, “Exactly what I’d say.†A good poet never stops learning and growing, and Lockward helps us do that.
I have been writing poetry since elementary school, am now 71 and have had no formal poetry instruction. I I find this book, and the 2 that preceded it -The Crafty Poet I and II, the BEST books of "how-to"s for the poet. There are numerous and consistently excellent brief focused lessons by a variety of poets, beautiful examples and specific recommendations, written by the author, Diane Lockward, about how to approach a similar poem. I have so enjoyed doing many of the suggested exercises as I hone my craft. I highly recommend all three books.
The Practicing Poet: Writing Beyond the Basics is a fantastic book for poets at any stage in their writing career. Full of craft tips, contemporary poems, and writing prompts, the book is perfect for individuals or for use as a text in creative writing courses. Chapters lead writers through how to discover new material, working with line breaks, crafting surprise, and much more. There’s even a section on publishing your book of poetry, including ideas on manuscript organization, book promotion, and poetry reading protocol. The rich array of contributors is impressive as well and includes poets such as Ada Limon, Dorianne Laux, Patricia Smith, David Kirby, Alberto Rios, Molly Peacock, and Campbell McGrath to name just a few.
Delivered as advertised excellent condition and timely delivery.
This is not the first book I've purchased by Diane Lockward. Her personal poetry is stunning. However, something about "The Practicing Poet - Writing Beyond the Basics," stays with me in a different way. Perhaps it is the format itself which lends itself to a satisfying creative experience. I relished the "tips," from different poets. I read the poetry focused on a designated prompt and reread it again to see the link. I took my time and this is why everyone should read this book . . . it's about taking time to enjoy the work. It's about thinking. This is not a book to rip through--but rather it's a book that requires undivided attention and this is a good thing. It's a book about craft with proof of why a poem works. It's a book that every aspiring poet and writer should read. I'm keeping mine on my desk. It's a gem.
You can’t wait at your open window, expecting inspiration for a poem. Neither can you sit or walk around in circles hoping a poem will fall out of your pockets.You need to get started somehow. This book, “The Practicing Poetâ€, gives you ways to do just that. As it suggests, sometimes you just need to start, usually with something simple. Remember the quote in Jerry Maguire, “You had me at Helloâ€?Poets want only one thing, to immerse themselves in their next poem. And when they find a subject, instead of researching for the next decade, it’s best to just jump in. That’s where this book comes in. It gets you started putting down your next poem, quickly. The book teems with tips and prompts to help you do this. One tip is to “borrow†from others, taking an idea or image, reshaping it, making it yours. As Clark Gable said in “Gone with the Windâ€, You should be kissed and often, and by someone who knows how.†It’s important to learn from the best. Get started. Read this book.
Diane Lockward’s The Practicing Poet is an inspiration to the poet. Whether one is emerging or experienced, the craft tips, writing prompts, and sample poems offer a reliable muse and mentor. As soon as I got my book copy, I began a writing marathon, using the sections as springboards for my new work. The Practicing Poet is another fine book from the same lineage as The Crafty Poet and The Crafty Poet II. I am so grateful for this wonderful book.
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