Free Download Steal Like an Artist: 10 Things Nobody Told You About Being Creative, by Austin Kleon

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Steal Like an Artist: 10 Things Nobody Told You About Being Creative, by Austin Kleon

Free Download Steal Like an Artist: 10 Things Nobody Told You About Being Creative, by Austin Kleon

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Review

"Brilliant and real and true."-Rosanne Cash"Austin Kleon is positively one of the most interesting people on the Internet... Kleon makes an articulate and compelling case for combinatorial creativity and the role of remix in the idea economy."-The Atlantic"Breezy and fun and yes, scary. Scary because it calls your bluff."-Seth Godin"A quick, easily digestible read that is particularly relevant in today's digital world."-School Library Journal"Filled with well-formed advice that applies to nearly any kind of work."-Lifehacker.com

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From the Back Cover

Unlock your creativity.Steal like an artist.Don’t wait until you know who you are to get started.Write the book you want to read.Use your hands.Side projects and hobbies are important.The secret: do good work and share it with people.Geography is no longer our master.Be nice. (The world is a small town.)Be boring. (It’s the only way to get work done.)Creativity is subtraction.

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Product details

Paperback: 160 pages

Publisher: Workman Publishing; 1 edition (February 28, 2012)

Language: English

ISBN-10: 9780761169253

ISBN-13: 978-0761169253

ASIN: 0761169253

Product Dimensions:

6 x 0.6 x 6.1 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

2,134 customer reviews

Amazon Best Sellers Rank:

#1,372 in Books (See Top 100 in Books)

Love it! Buy it, read it - it's easy to read, and you'll go back to it for inspiration over and over again.

I liked what this author had to say and enjoyed the material, but this was not a book. When I got to the end, I said "Where's the rest of it? Where's the useful stuff?" I went on a hunt and found the author on YouTube giving a TED Talk called Steal Like an Artist. There it was, the entire book in an eleven minute speech. Save your money and just listen to the speech.

Austin Kleon writes, “All advice in autobiographical… This book is me talking to a previous version of myself… These ideas apply to anyone who’s trying to inject some creativity into their life and their work. (That should describe all of us.)” The book is thoughtfully written and designed in a creative six-inch by six-inch format.The idea behind stealing like an artist is that “nothing is completely original… All creative work builds on what came before... If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.”“We learn by copying. We’re talking about practice here, not plagiarism—plagiarism is trying to pass someone else’s work off as your own. Copying is about reverse engineering… Remember: Even The Beatles started as a cover band.”“You are the sum of your influences… Your job is to collect good ideas. The more good ideas you collect, the more you can choose from to be influenced by… Seeing yourself as part of a creative lineage will help you feel less alone as you start making your own stuff… You don’t want to look like your heroes, you want to see like your heroes… That’s what you really want—to internalize their way of looking at the world… It is the act of making things and doing our work that we figure out who we are.”“You have to be curious about the world in which you live… Always be reading…. Don’t worry about doing research. Just search.”“You’re only going to be as good as the people you surround yourself with… If you ever find that you’re the most talented person in the room, you need to find another room.”“The manifesto is this: Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use—do the work you want to see done.”The author urges readers to “step away from the screen… You need to find a way to bring your body into your work… If we strum a guitar, or shuffle sticky notes around a conference table, or start kneading clay, the motion kickstarts our brain into thinking… The computer is really good for editing your ideas… but it’s not really good for generating ideas. There are too many opportunities to hit the delete key.”Kleon points out the value of side projects and hobbies in sparking creativity. “By side projects I mean the stuff that you thought was just messing around. Stuff that’s just play. That’s actually the good stuff. That’s when the magic happens… I think it’s good to have a lot of projects going on at once so you can bounce between them. When you get sick of one project, move over to another… Practice productive procrastination.” The author quotes playwright Steven Tomlinson about having diverse interests: “Let them talk to each other. Something will begin to happen.”“Creativity is subtraction.” The answer to information overload is to “figure out what to leave out” so you can focus on what’s most important to you. “It seems contradictory, but when it comes to creative work, limitations mean freedom… Establishing and keeping a routine can be even more important than having a lot of time.”Kleon touches on the theme of his second book, Show Your Work. “If there was a secret formula for becoming known, I would give it to you. But there’s only one not-so-secret formula that I know: Do good work and share it with people. It’s a two-step process… Not everyone will get it… So get comfortable with being misunderstood, disparaged, or ignored—the trick is to be too busy doing your work to care.” That said, the author says to, “enjoy your obscurity while it lasts… There’s no pressure when you’re unknown. You can do what you want. Experiment. Do things just for the fun of it. When you’re unknown, there’s nothing to distract your form getting better.”On a final note, Kleon writes, “Your mileage may vary… Feel free to take what you can use and leave the rest.”

Steal Like an Artist gave me the push I needed to get into a more creative mindset. Although the book, and its message, may seem simple, it is clear that Austin Kleon has dedicated his life to creativity and using that to produce creative work (poetry, writing, drawing). If you feel stuck in a rut (as I did), this book is for you. The main quote that spoke to me was: "If we're free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it. (Kleon, 2015). That burden has been with me for a long time, and now Austin Kleon has given me permission to be inspired and taking from others in order to create something unique. "Imitation is about copying. Emulation is when imitation goes one step further, break through into your own thinking" (Kleon, 2015). This is the perfect book for breaking into your own thinking.

This is a pretty tiny book (the cup of coffee I poured when I started reading was still warm when I finished), but may end up being my favorite of everything I read this year. It'll almost certainly be one of the few that I'll come back to over and over.Austin Kleon is an artist from Austin, TX, and in Steal Like An Artist he asserts that what good artists do—that is, "stealing" as much as possible from as many influences as possible to shape one's own unique style—is a concept that can carry over into virtually any line of work. And while there are a number of people out there who have made the case that we are all a product of our influences, few have communicated this truth so compelling and creatively as Kleon.The reality is that someone can "know" that's true, yet still feel bound by a desire to be "original" than can have a debilitating effect on creativity. I know, because I'm that guy. And that's why I'm so thankful to have been told to read this book, because it's definitely a game changer for me!Kleon's 10 short chapters each present a different principle for developing creativity, and though it's a numbered list, it manages not to come across as a "how to" manual. Rather, it's a testimonial borne from experience, and an encouragement that these timeless principles (e.g., "Be Nice") really do work in the real world, and they really are things that don't apply only to artists. It's a book which manages to be both artistic and pragmatic... not an easy combination!Anyway, I've already written a review that will take you half as long to read as the book itself, so stop reading this and go get the book!"If we're free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and embrace influence instead of running away from it." ~ Austin Kleon

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Download PDF South with the Sun: Roald Amundsen, His Polar Explorations, and the Quest for Discovery, by Lynne Cox

Download PDF South with the Sun: Roald Amundsen, His Polar Explorations, and the Quest for Discovery, by Lynne Cox

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South with the Sun: Roald Amundsen, His Polar Explorations, and the Quest for Discovery, by Lynne Cox

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About the Author

Lynne Cox has set records all over the world for open-water swimming. She is the author of Swimming to Antarctica and Grayson and lives in Los Alamitos, California.

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Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER 1Siberia and U-2The nose of the Aeroflot TU-154 aircraft parted long feathery white strands of stratus clouds that whorled past the cockpit, the captain continued his descent, and suddenly, the whole world opened below. An ancient Siberian taiga, a forest dark and dense with fir, spruce, larch, and pine, rose on craggy hilltops and descended deep into shadowed valleys.Strong shafts of sunlight focused by the clouds lit the groves of Berioska—white birch—and transformed them to yellow flames. The world below suddenly changed, and all the forest was gone; just stumps remained, and death, and naked brown earth, for miles. The earth was eroding quickly into rivers and streams, turning them from clear blue to muddy brown. But on the horizon another evergreen taiga appeared and a sliver of deep lapis blue: Lake Baikal—the deepest lake in the world, four hundred miles long, an average fifty miles wide, one- quarter of the world’s fresh water. This was the blue jewel of Siberia. It was 1988, a year after my Bering Strait swim, which had opened the border between the United States and the Soviet Union. I wanted to swim Lake Baikal. I had no idea how much the Soviets appreciated my Bering Strait crossing or the upcoming Lake Baikal swim until we landed in Moscow and later in Siberia. There were crowds and press everywhere, and people recognized us on the streets. We were told when we reached Irkutsk that the Siberians had been waiting for a group of famous Americans to visit them ever since the time of President Eisenhower. They had constructed new roads for his visit, and a new hotel, but when the U-2 incident occurred, when the U.S. spy plane piloted by Gary Powers was shot down over the Soviet Union in 1960, President Eisenhower was no longer welcome. The relations between the United States and the Soviet Union disintegrated, and the cold war grew colder and grimmer. But our Soviet hosts told us things had changed. We were the group of Americans that the Siberians had long been waiting for.Our Siberian officials arranged tours of cities, took us to basketball games and other special events, and fêted us at dinners and church celebrations. After flying through thirteen time zones, and two days of constant motion, we were weary, and my focus needed to be on the upcoming swim: planning it out, figuring out the currents, and talking to the local pilot so we could work together. I would be swimming in three days. That wasn’t much time to recover or figure out the course of a swim.Early one morning, before anyone was awake, I slipped out a back door, and went for a long walk along Lake Baikal’s shores. I climbed down some boulders, to the Angara River. This was the only river that flowed out of the lake, and here the currents were strong, the water flowed fast, probably three or four knots. I studied the movement of the water as it flowed along the shore. It was like one massive drain out of a swimming pool. If we got caught in that, we’d move out with the river. We would need to keep a distance of a mile or two, or I’d never make it across the lake.A Siberian woman with high Slavic cheekbones and tanned skin, probably in her seventies, wearing a bright scarf on her head, a blue jacket, and a skirt well below her knees, scrambled across a quarter mile of river rocks. She stood up excitedly and waved. Holding her hand was a young man who looked like her son. He was taller and leaner, but he had the same blue eyes, the same nose, and the same-shaped smile.When they reached me, she was barely out of breath. She immediately said that she had been waiting for me. Her son translated my English for her. He had studied it in school as a child, and he had never used it before to speak to an American. He was very excited. The elderly woman said she had a dream the night before that we would meet on the Angara River. She was so excited. Her blue eyes were full of light. She told me that I was welcome there. And then she said something I didn’t understand. She said that I was like George Washington De Long, an American hero to all of Siberia.I had never heard of George Washington De Long before. I was perplexed. Maybe I misunderstood. Did she maybe mean to say George Washington? I asked.No, Captain George Washington De Long. Hadn’t I heard of him? The man translated. He seemed very disappointed. But his mother put on a smile and said that I was welcome there, and welcome to join them anytime at their home.With all that happened during the next days, and all the political challenges, and the swim across Lake Baikal, which was moved up a day and was completely successful, I forgot this conversation. It faded deep into memory, but one day when I was reading about Roald Amundsen, drawing inspiration from his life, and from the lives of other polar explorers, I kept seeing references to a ship called Jeannette. Finally I decided I needed to know more about the ship and saw that the ship’s captain was George Washington De Long. He was Amundsen’s inspiration and was one of the very first polar explorers. I had to find out about Captain George Washington De Long to understand Amundsen’s path and to gain inspiration and direction formy own.CHAPTER 2NorthOn the soft foggy gray horizon of San Francisco Bay, a brown dot bounced on navy blue waters. The dot grew in size and became the form of a ship—the USS Jeannette. She plied through the rough, salty, white- capped waters on an epic journey.It was July 8, 1879, and Lieutenant Commander George Washington De Long and his crew were attempting a historic voyage to become the first expedition to reach the North Pole via the Bering Strait.De Long stood at the helm dressed in full navy uniform with Emma, his wife, beside him on the bridge. His sky blue eyes behind round eyeglasses scanned the water; the colorful escort boats ablaze with signal flags and masthead flags accompanied him as he sailed past Alcatraz Island and toward the distant headlands of San Francisco Bay. The hum of the Jeannette’s engines vibrated through the De Longs as they steamed west together.George and Emma had met in France, and he had fallen in love with her immediately. But she had another commitment, to a young man who was dying. George wrote to her and waited for her and, when her friend passed, convinced her that he loved her. Emma’s father set up conditions. He insisted that they stay apart and out of communication for two years, and if after that time they still felt the same, he would permit them to be together. They had endured and married and now had a young daughter, Sylvie.More than anything, Emma wanted to sail with George. She had worked alongside him lobbying the U.S. Navy and James Gordon Bennett, a New York newspaper publisher—and owner of the Jeannette—and President Rutherford Hayes to provide the support to refit the Jeannette and fund this expedition.Lieutenant Commander De Long, and the thirty-two-man crew of the USS Jeannette, a 420-ton bark-rigged wooden steamship, were attempting to become the first American ship to reach the North Pole through the rough waters of the Bering Strait. This journey was meant to be one of exploration, of scientific research, and of discovery, for in 1879 sailing north into Arctic waters toward the North Pole was like flying to another galaxy.Thousands of people from all over the Bay Area came to see the Jeannette off. It was a day to celebrate the possibility of solving one of the world’s great puzzles, of reaching the North Pole, and of making great discoveries. The jubilant San Franciscans lined the waterfront. They stood on wide wooden piers, along the curve of Market Street, on top of Telegraph Hill. They lifted children on their shoulders so they could see above the heads in the crowd. They stretched their necks to catch sight of the Jeannette. As she sailed past, they cheered wildly, dogs barked excitedly, and roar upon roar rose from the crowd that followed the Jeannette along with a great wave of humanity on foot, bikes, and in horse-drawn carriages, as she headed west.The Jeannette passed what would one day become major San Francisco landmarks: Alioto’s and Capurro’s restaurants and the Argonaut Hotel. She powered by what would become the South End Rowing Club and the Dolphin Club, and the Buena Vista Café and Ghirardelli Square. She sailed past what would become the beautiful St. Francis Yacht Club, and the exquisite Palace of Fine Arts Theater and the Exploratorium. She slipped toward what would become the majestic spans of the Golden Gate Bridge and the entrance to San Francisco Bay.Cool moist gusts of wind funneled through brown bone-dry hills above San Francisco and pushed the bay into two-foot-high waves. Boats of all sizes—tugs, launches, fishing boats still smelling like fish from the morning catch, and yachts all decked out with brightly colored flags and banners from the San Francisco Yacht Club—steered toward the Jeannette. People on the boats sounded the ships’ horns and blasted the whistles. They clapped, waved, cheered, and shouted “Good luck” as the Jeannette sailed near the Presidio and Fort Mason, where the U.S. Army honored the captain and crew of the Jeannette by firing off a farewell salute.Bound for the north, into unexplored waters and lands that were mostly uncharted, with almost complete uncertainty about what lay ahead, the Jeannette was loaded to the gunwales with provisions, coal, and supplies in case the worst happened and the ship was lost, and the crew had to take to shore and somehow survive.The Jeannette sailed with her hull low in the water. She lumbered almost painfully toward the entrance to the Pacific. Her own construction made her heavy. She had been reinforced with thick oak timbers and strong iron transverse beams that were meant to protect her from the deadly pressure of the sea ice in the Arctic waters. The sea ice was something the Jeannette would most likely encounter on her way to the North Pole.The movement of this sea ice was unpredictable, frightening, and could be deadly. It snared sealing ships and whaling fleets and like an anaconda squeezed the life out of ships and sent them down to the ocean depths.Shortly before Lieutenant Commander De Long left the port of San Francisco, he was given a new set of orders. Baron Nils Nordenskjöld— the Finnish-born Swedish scientist, geologist, and explorer—had been sailing his ship, the Vega, along the northern edges of the Siberian coast, in an attempt to become the first person to find the Northeast Passage.Finding the Northeast Passage would open new ocean freeways to the world. If Nordenskjöld succeeded, he would discover a more direct sea route from the Atlantic Ocean to the Pacific Ocean, a route that would increase world trade and open the world to further exploration and understanding. But it had been months since anyone had heard from Nordenskjöld.It was feared that his ship was locked in the sea ice or that it had been sunk. De Long was ordered by the U.S. Navy to alter his course. Instead of heading directly north through the Bering Strait bound for the Arctic Ocean and North Pole, De Long would first search for Nordenskjöld and, if he found him, come to the aid of him and his crew.This change wasn’t what De Long wanted; he knew that the delay could disrupt all of his plans, plans he had worked so hard on for many years, and with the shortness of the summer season in the Arctic, the delay would increase the Jeannette’s chances of being caught in the dangerous ice and diminish their chances of reaching the North Pole. But it was his duty to help Nordenskjöld. That was what happened in those days. When ships were late returning to port, especially in waters known to be dangerous, other ships and crews were sent out to search for and rescue them.On board the Jeannette, Emma De Long stood near the helm and watched her husband. Emma had helped him reach this point. She had done everything she could to help him. She had rallied and convinced politicians, and James Gordon Bennett Jr., the publisher of the New York Herald, to support this venture, and she realized De Long could succeed in reaching the North Pole, as he had dreamed of, or they could die.The Jeannette rocked and heaved between the north and south headlands. Emma and George De Long climbed down from the ship into a small boat.The boat carried them to a yacht, one that would receive Emma and transport her back to the harbor. When George said good-bye to Emma, she threw her arms around his neck, and she kissed him good-bye.Her act completely startled George. Until that moment George hadn’t fully realized what was happening. Emma would not be beside him as she had been for all of those days they had worked on and planned this project together. He had been so immersed in the worries of the day, this realization had completely escaped him. George was stunned.They parted. Emma climbed aboard the yacht, and George took the small boat back to the Jeannette. The vessels were beside each other, but facing in opposite directions.They waved good-bye and they continued waving to each other until George and Emma blended into the two different dark gray horizons.As the Jeannette entered the Pacific Ocean, the air grew saltier, and the wind whipped the waves into reeling and rolling crests that slammed into the sides of the ship and tossed her like a toy boat to and fro. The crew was becoming seasick. Their faces first turned white, and as the waves grew to three and four feet high, and the Jeannette rolled and spun, their faces turned a grayish green.De Long was worried. The ship was sailing so low in the water that waves were breaking over the gunwales, and sheets of water were washing across the deck. He feared that the Jeannette would capsize and toss everyone into the Pacific Ocean.De Long turned the Jeannette into the waves, so she would cut across the wave top at an angle, and this he hoped would prevent the Jeannette from being rolled over by incoming waves.The weather did not improve, and De Long and his crew suffered as they sailed slowly all the way north along the California coast, north past Oregon, and north beyond Washington.

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Product details

Hardcover: 320 pages

Publisher: Knopf; First Edition edition (September 13, 2011)

Language: English

ISBN-10: 0307593401

ISBN-13: 978-0307593405

Product Dimensions:

5.9 x 1.2 x 9.5 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

2.7 out of 5 stars

53 customer reviews

Amazon Best Sellers Rank:

#844,056 in Books (See Top 100 in Books)

I loved this book. I have always been curious about what propels long distance swimmers, the seeming monotony of the water, the suffering, etc. To put it together in a book about the polar explorer Ronald Amundsen was perfect as those polar explorers certainly had the same mindset. Is it great lit-er-a-ture (spoken in a British accent)? No, very few books are. But it is totally fascinating and brings us to places we otherwise would never experience - like swimming with colorful jellyfish in water so cold that it would kill most of us mere mortals in a few minutes.

Well researched and written, this is a fascinating account of the collision of chance encounters and a passion to follow in the steps of polar explorers by a phenomenal athlete who is able to tie all these experiences and diverse people together via her sport: distance swimming in some really cold places! And if you have not read Swimming to Antarctica, check that one out too for a winning combination.

Lynne Cox weaves together her intellectual, physical and adventurous challenges in this book. It really added to my appreciation of this woman who I treasure as a model for living your passion!

the book arrived and was in very good condition as stated. i looked elsewhere and the price for the product was unbeatable.

I've read about expeditions to the North and South Poles, but I've never been touched emotionally by a story of exploration as I've been touched by this one.Lynne Cox, whom we met and grew to adore in Swimming to Antarctica, takes us on an adventure. By sharing her own life and the stories of Amundsen, Nansen, Byrd and others that she researches, she encourages us to take our own risks, set our own high goals, discipline ourselves and reach out to others to help us meet those goals.Reading this book is a great way to celebrate Amundsen's reaching the South Pole one hundred years ago--on December 14th, 1911!

Lynn Cox writes a history of exploration at both poles that includes the pioneers with ships up to the current research and exploration by air. She weaves in her swimming adventures in several of the places that explorers' paths took. Well done.

If you want a book about Amundsen or polar exploration, don't bother with this one. It is about the author, a respected athlete who swims in very cold water and has a lot of initiative but doesn't show much writing skill here.

I always wished I could go there and experience the environment myself, but of course with a bit more contempory equipment

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Download PDF Visuddhimagga: The Path of Purification - Pali Edition, by Bhaddantacariya Buddhaghosa

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Product details

Paperback: 694 pages

Publisher: CreateSpace Independent Publishing Platform (August 1, 2012)

Language: Pali

ISBN-10: 1478369434

ISBN-13: 978-1478369431

Product Dimensions:

6 x 1.6 x 9 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#858,794 in Books (See Top 100 in Books)

If you are interested in the deeper and more complex aspects of Insight meditation, there is no other source to turn to. It is a fact that the Insight meditation movement's main primary source "is the commentarial writings of Buddhaghosa, particularly the Visuddhimagga" (Lance Cousins). This book contain an extensive explanation of the stages of concentration in meditative practice and the stages of insight and wisdom the meditator will go through. It is a guide and an atlas of the path to enlightenment. It also contains an exposition of Buddhist abhidhamma theory (phenomenology and psychology). It is long and written in a prose style that sometimes gets difficult, but it is an invaluable resource of information for those pursuing the Insight path.

First, I would only recommend , this book to those who have been meditating and those who have been studying Suttas. If you are a beginner or even intermediate I would not recommend this book because it would not be a help to your practice, and it might even be a hindrance. To be able to fully appreciate this book I would first recommend gaining some background in buddhism as a whole (I would recommend what the buddha taught by Walpola Sri Rahula.That said, Those who have a foundation in buddhist thought and have some foundation in meditation practice, i would highly recommend this book. It contains a guide on all the 40 meditation objects and how to meditate on them. It contains an extensive section on samatha (tranquility) practice and the jhanas. The most important and largest section of this book is the section on vipassana meditation; I would buy this book just for this section alone. This is a very difficult book and I would recommend reading it slowly and asking your meditation teacher any questions you might have. Also, a great site to discuss this book is at DhammaWheel it is a forum for Theravadin Buddhists

Great book that offers a second look at the Nikayas and the practice of the Dhamma.

An amazing, life-changing book. A life companion for your spiritual journey, one that never began but is ongoing, moving but not moving, carrying you awhile and then leaving you behind. Well worth whatever time you give it, always welcoming more.

The book is technically a manual of commentaries and sub-commentaries stemming from the Sutta Pitaka. As such it addresses each aspect of the Buddha Sasana in an extremely coprehensive way not to be found in the original teachings of the Buddha. Most topics are described in terms of characteristic, manifestation, function and proximate cause in order to describe them both in themselves and in relation to the surrounding conditions. The book itself is divided in three parts each devoted to one of the three fields of practice: Sila or morality, Samadhi or Meditation and Panna or Wisdom. The first section, the easiest to read and understand, describes an extremely wide range of behaviours in terms of their wholesomeness in various circumstances; the second describes instead the various kinds of styles of meditation nad the different object attanaible by meditating; the third part, the most difficult, deals with the matter of the Abhidhamma, namely rupa, citta, cetasika and nibbana. So I would suggest to read this part only after having studies some easier commentary of the Abhidammha itself.All in all a wonderful but very demanding book.

This ponderous book has already answered so many of my 'advanced' questions, that I had to give it 5 stars. It a difficult style of writing, but it's also obvious the writer is very far along the Buddhist path. I'm only half-way through, but I know when I get to the last page I will start reading again. I bought it because I'm going to Thailand to meditate and wanted to know Theravada philosophy. Just the concept of meditation, using concentration and absorbtion, are worth the time devoted to this book, for me. I agree with another reviewer that we are blessed to have information like this available in our lifetimes. Peace.

Buddhaghosa's Path of Purification is a classic text of Pali Buddhist literature, requiring no commentary for any serious student of Buddhist thought. Edward Conze cites another edition of this text many times in his famous work "Buddhist Thought in India," commenting frequently on the questionable translation and remarking that he hopes for a superior translation in the future. Perhaps Bhikkhu Nanamoli's (aka Osbert Moore, 1905-1960) translation is the one to fulfill Conze's wish----I am not qualified to make this judgment.Instead, I wish only to address the physical quality of the hardbound edition of this text. Readers who are unfamiliar with Pariyatti Publishers and the BPS Pariyatti series may be concerned, as I was, about the quality of a text of this size (over 900 pages) and scope. I recently received my hardbound copy and I was pleased to see that the text is of extremely high quality---it is simply first rate in every aspect. The text is bound in durable, high-quality red cloth with gold lettering, the signatures are sewn, the acid-free, wood-free paper is of very good density and high quality (the book was printed in China), the typesetting is impeccable and easy on the eyes, and the book is wrapped in a an attractive, semi-glossy dust jacket (the reproduction on Amazon does not do it justice). In an age when publishers of college textbooks routinely sell $150+ texts that appear designed to fall apart after one year's use, a reasonably priced book of such high quality, clearly designed to last through many years of use, is a refreshing surprise, recalling distant times when quality was still important to producers of durable goods. I commend Pariyatti Publishing for producing quality editions of these classic and contemporary Buddhist texts. Prospective buyers may purchase without concern over the quality of the physical text; I will let others who are more qualified comment on the quality of Moore's translation.

ENLIGHTENING.

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Osma Gallinger Tod (1895-1983) was an important figure in repopularizing traditional crafts among Americans. She ran crafts communities in Michigan and Pennsylvania, authored many books, and was a pioneer in championing a respect for traditional craftsmanship as art.

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Product details

Paperback: 200 pages

Publisher: Schiffer; 2 edition (July 28, 2017)

Language: English

ISBN-10: 0764353438

ISBN-13: 978-0764353437

Product Dimensions:

5.9 x 0.4 x 8.9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#498,026 in Books (See Top 100 in Books)

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Download Ebook Programming for Musicians and Digital Artists: Creating music with ChucK

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About the Author

Ajay Kapur is currently the Director of the Music Technology program (MTIID) at the California Institute of the Arts, as well as the Associate Dean for Research and Development in Digital Arts. Kapur is also a Senior Lecturer in the Sonic Engineering Labs for Creative Technology (SELCT) at Victoria University of Wellington in New Zealand. He has also published over 80 technical papers and presented lectures across the world on music technology, human computer interface for artists, robotics for making sound, and modern digital orchestrasPerry R. Cook served as Stanford's Technical Director of the Center for Computer Research in Music and Acoustics, until joining the faculty of Princeton University in 1996 as a Professor of Computer Science, with a joint appointment in music. Along with working for companies such as NeXT Inc., Media Vision, Xenon/Chromatic, Interval Research, and mobile music App giant SMule, Cook has published over 200 technical and music papers and has lectured worldwide on the acoustics of the voice and musical instrument simulation, human perception of sound, and interactive devices for expressive musical performance. He is also the author of the Synthesis Toolkit in C++ (STK), and co-author of the ChucK audio programming language.Spencer Salazar is a doctoral student at the Stanford Center for Computer Research in Music and Acoustics (CCRMA), researching computer-based forms of music performance and experience. He has created interfaces for ChucK, developed prototype consumer electronics, architected large-scale social music interactions for SMule, composed for laptop and mobile phone ensembles, and taught numerous workshops on computer music topics.Ge Wang is the creator and chief architect of the ChucK audio programming language. He is an Assistant Professor at Stanford University's Center for Computer Research in Music and Acoustics (CCRMA) where his research includes programming languages and interactive software systems for computer music, mobile and social music, new performance ensembles paradigms (e.g., live coding), interfaces for human-computer interaction, musical visualization, and methodologies for education at the intersection of computer science and music. Ge is also the co-founder of mobile music startup SMule (over 100 million users) and the designer of the iPhone's Ocarina and Magic Piano.

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Product details

Paperback: 344 pages

Publisher: Manning Publications; 1 edition (January 15, 2015)

Language: English

ISBN-10: 1617291706

ISBN-13: 978-1617291708

Product Dimensions:

7.3 x 0.8 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,108,656 in Books (See Top 100 in Books)

A perfect book in a perfect development! Good explanations, very good index, very intetesting programming language!

Manning's Programming for Musicians and Digital Artists is enjoyable, informative reading, particularly if you like music and programming and are motivated to combine them in some way.The book offers plenty of clear how-to content for those who want to take their first deep dives into the techniques needed to make, modify and perform music using computers.Indeed, this excellent guide can help take you from generating "Hello, World" and "Twinkle, Twinkle, Little Star" to linking up with MIDI devices and creating sophisticated music and sounds that can be used in live performances and elsewhere.Don't be scared by the word "Programming" in the title. Yes, it can help--but it is not required--to have a little bit of programming experience. As you start working with the audio-centric programming language ChucK, you will simply type a few brief lines of code or paste them from downloaded files into a simple on-screen tool known as the "miniAudicle." With this tool, you can then make changes and hear the results "instantly without interrupting other sounds being synthesized and heard," the authors point out. You also can save your files, load different files and do other tasks quickly.The free, open-source ChucK programming language, the authors' emphasize, "is designed specifically for real-time sound synthesis and music creation." Their book provides numerous short code examples to tinker with, as well as a few basic physics, math and music pointers that illustrate features and help support the authors' descriptions.Note: If your goal is to simply sit down at a keyboard and immediately start creating digital music, you may want to skip this book and look for other options. The authors concede that "many artists are happy with over-the-counter software systems and controllers for real-time performance work. And there are many who only want to use computers to produce static final products in the form of .wav/.mp3 files, CDs or collections of songs, sound tracks for videos, and more. A large number of those artists are happy to learn and use the packages and tools from commercial or free sources."But there are many, and we’re betting you’re one, who want more," they add. "Maybe you’re coming to this book with a big idea (or many big ideas) and want the tools to help you realize it/them. Maybe you’re looking to shift directions in your art making. Or perhaps you already know how to program in a language such as Java, but you find it doesn’t do what you want."ChucK gives you "greater under-the-hood access" than some of the other popular music/sound languages and systems, such as Csound, SuperCollider, JSyn, Max/MSP and PD (Pure Data). And ChucK, the authors note, "is generally more succinct, requiring much less code (lines of typed text) than these other languages in order to accomplish a particular task."You learn how to work with many different tools, ranging from oscillators, to filters, to delay generators, reverberators and other audio effects, and MIDI (even without a MIDI interface and cable). You also learn how to generate the sounds of several different musical instruments.ChucK has a key emphasis on ease of controlling time: for example, how long a tone or sounds occurs, how often it occurs within a set time period, and how long are the silences between tones or sounds.I have not yet tried all of the code examples in the book, but the ones I have tried in several chapters have worked very well on a Windows laptop and are easily modified and tested in real time using the miniAudicle. (The book also shows how to install ChucK on Mac OS X and Ubuntu Linux systems).Thus far, I have encountered only one code typo in the printed book's code examples. In Listing 1.8, "Playing notes with integer values," there is a mistake in the line that is supposed to multiply the frequency of a tone pitch by 2. However, the line is printed "1 *=> myPitch;" -- which simply repeats previous pitch. Changing the line to "2 *=> myPitch;" fixes the problem and takes only a couple of seconds to accomplish in the miniAudicle.I am giving this book five stars, because it meets a specific need for me and provides a lot of the information I have been wanting. You may want more--or less--than the book provides. But that is always the challenge for authors of programming how-to books: providing just enough for most readers. I had heard that ChucK is both powerful and easy to use, and, with this book and the miniAudicle, I have found that it really is.(My thanks to Manning for providing a review copy of the book.)

It seems to have been designed for people who are total noobs at programming, making it kind of slow moving for those who have some experience. But to learn Chuck, it's all here.

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Product details

Series: Travel Guide

Paperback: 280 pages

Publisher: Moon Travel; 1 edition (April 4, 2017)

Language: English

ISBN-10: 163121327X

ISBN-13: 978-1631213274

Product Dimensions:

4.5 x 0.8 x 7.5 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#469,289 in Books (See Top 100 in Books)

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Product details

Map: 2 pages

Publisher: Nelles Verlag GmbH (November 1, 2016)

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ISBN-10: 3865745105

ISBN-13: 978-3865745101

Product Dimensions:

9.8 x 0.4 x 4.6 inches

Shipping Weight: 0.6 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#428,083 in Books (See Top 100 in Books)

Uganda Road Map Nelles 1:700K 2017*** (English, French and German Edition) PDF
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Uganda Road Map Nelles 1:700K 2017*** (English, French and German Edition) PDF

Uganda Road Map Nelles 1:700K 2017*** (English, French and German Edition) PDF

Uganda Road Map Nelles 1:700K 2017*** (English, French and German Edition) PDF

Uganda Road Map Nelles 1:700K 2017*** (English, French and German Edition) PDF